I had a feeling I wouldn't be using all seven of the plaster cloth guys. Some just aren't far enough along. Some aren't turning out as I'd hoped. A couple are beyond painting in the amount of time I have left. But I am still hoping for a few.
You wouldn't think so, but tearing paper takes a LOT of time. And then adhering the little pieces to curvy surfaces takes time. Man.
I am really falling in love with this guy now. I want to do a really good job on him...and that means he will not be going into the upcoming show...just not enough time. |
- get the edges on the layered circles sharp
- the gazillion tiny dots that go in between the larger layered circles are becoming textured when I try to put them on with the other end of the brush or with an eraser on a pencil -- I found a tiny sponge brush that will probably work but I need more time
More tearing of paper for the manikin guy.
I can't add any more paper bits right now -- he is too wet -- needs to dry a bit so I don't tear the pieces I already applied. |
And another thing I learned tonight about painting/using colors...if you have a carbon black snake and you try to add phthalocyanine blue to the dry surface to make it look blue, it actually goes waaaaaay dark purple. WTF?
It LOOKS like a beautiful dark blue when it is wet on top of the very dry black paint, but it goes purple as it dries. Even a second and third coat stay purple. |
So -- another stab at going blue taught me that turquoise deep will stay blue...at least on top of the other blue (now dry as well).
They are both very appealing blues...it's just taking longer than I anticipated to get to the next step! Gah! |
Ah well -- live and learn.
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